
Tuesday, 30 June 2009
SEX AND VIOLENCE

Wednesday, 17 June 2009
Joseph Steele @ Newcastle University Fine Art Degree Show 2009

For my degree show I decided to create an installation, a slick gallery space with my best artwork on display. You know writing this I can't help but feel like one of those people wallowing in their work, I never liked that. Anyway I got a JCB barrell, three mega posters in their steel frames, an office space on a mezzanine level and the standard promotional materials. On the opening night I played the Rolling Stones a lot, really loud and this brought lots of people into the space and created the pop-fad atmosphere I was after. Unsurprisingly, I got a first.


Joseph Steele's 'Pillow Talk' @ Spectacles and Carpets
I think it was the 20th May. I'm not sure. Anyway this stray bullet of a show in my 5 a month marathon was by far the most gruelling for me in that I had a stinking hangover and was getting the sinking feeling of about to leave uni.
I sat in bed for 6 hours and spoke to anyone about myself who came in.
Art I guess
Material World @ Cobalt Studios

Material World.
This show which opened on the 15th May 2009 was (again) another knock out success. A very different show from Mayday or Proud of our Roots this saw me exhibit alongside some established and starting out artists in the North East: Glass artists Gavin Marshall, Effie Burns and Kathryn Hodgkinson, painter Paul merrick and retired architect turned photographer David Whitton.
The show was more commercially minded with an emphasis on making the work look absolutely stunning, which it did. I exhibited three megaposters; military hardware identification chart #2 weapons of world war 2, and two prints based on the monument and millenium bridge. My theme? Sex and violence of course. The show attracted some 150 people over the weekend and is ongoing. And I sold some!
Proud of our Roots

This show saw me exhibit alongside emerging photographers, mainly from the Stanley area. Debbie Todd was instrumental in pulling the show together which was a great success, the opening was packed and had a speech from the Councillor and... me, I don't know why but they asked me to say something and I ummed and erred my way around the subject of art and culture coming to the conclusion that the Northern drive for supporting and promoting art and culture, to raise the profile of the region only means something if people put on shows like this. It brought together different people from different worlds and gave visitors an insight into something beyond the every day.
MAYDAY and Operation #6


This show blew my head off. On May 1st 2009 my business getonthewall.com hosted my work as an artist (Joseph Steele) to deliver MAYDAY an art happening at Hanger 51 Ouseburn Valley.
The art happening involved a JCB 3cx Backhoe Loader, a Harley Davidson Rocker FX a mini bmw and my latest work in print and performance. The show was another knock out success and clearly defined me as being 'better than Tom Whitty'. Watch the video here click on either of the 'Joseph Steele' videos.
I was exhausted by the time of the show and messed the performance up a bit (it went on and on) but there were some great moments. Again Tom and I opened the space up at night and we had chavs etc come in and buy cheap booze off us and look at the art, wide eyed. The Sunday after the show I put a sign up outside saying 'Parking' £1 / day. and had one customer. I was most pleased with the fact that the show cost me about £20 to put on but looked like it cost about £500k I guess that was the point.
On reflection I wish I'd called the show 'Sex Symbol' like I was originally going to, I think in future I'm going to sideline my pursuit of political comment and narrative in favour of smut.
Style over substance right?
Tom Whitty vs Joseph Steele

I'm playing catch up with this blog:
Feb 27 2009. Hanger 51. Ouseburn Valley.
Tom and I teamed up to deliver a show that kicked the crap out of everything else either of us had seen in newcastle . (apart from the stuff at the Baltic but they've got glass elevators.)
Over 200 people saw it in two and a half days. I showed (what was then) a new range of work: Megaposters, in big steel frames. Tom parried with 35 seconds worth of painting. My favourite part of the show was at night, when the people we knew weren't there and we'd get passers by, drunks, chavs coming in and looking at the work. That was the most interesting for reactions and insight into how the show had worked and the answer is it looked awesome, strong, big. I was worried my work would get dwarfed by Tom's 4-5 metre paintings but, it didnt', because it's so damn good!
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